Tag: advice

  • Can you write comedy?

    The best moments when I read a book is when I find myself laughing due to the author’s wit and good sense of humor. As I hear my laugh echoing through the room where I read, without any apparent reason, I feel lucky to be enjoying something “secret” or “hidden” that people around me in public spaces won’t probably never get to know. I get to enjoy characters only to myself which (in a selfish manner) I don’t get to share with those around me. Those are the times when I mostly appreciate good humour in Literature, either intended or not.

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    After enjoying these moments, I find myself wanting to write as these authors. I want people to enjoy my stories as I do when I read others. But then I ask myself, could I ever write a comedy? It’s hard enough to come up with one witty remark, never mind the entire length of a comedy-based novel. I’m pretty sure those who achieve writing in the “comedy” genre can be named genius. Maybe some writers are born to write in this genre. Maybe only people like comedians are the ones who should answer this call.

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    No more than a week ago, I started my first “comedy genre” book. For those curious about the title, I’m reading Timur Vermes “Look who’s back” which had a book cover that promised to deliver “a comedy of all sorts”,”clever, funny,” book and so on. Please, don’t go into questioning my book selection. I know the book has become controversial, so I won’t go into discussing why I’m reading this book. Just let me tell you, that I’m reading it with an open mind and in the effort to understand more about this literature genre . But as far as I gotten into the book (one-third of its lenght ), I haven’t laughed much. Is it because I don’t understand the book’s sense of humour? Maybe the fun style has been lost in translation (the book has been translated from German) But if this is not the case, and if different people react different to diverse styles of comedy, then how can you write a fun, clever book that appeals to a vast majority? Is there a secret, hidden recipe somewhere to tackle all funny bones in the whole population?

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    If it weren’t possible , the comedy genre wouldn’t prevail. I don’t believe there’s a successful formula. But I might have detected one possible self-barrier. Whenever I come up with a funny remark while writing, I usually erase it almost immediately, afraid it will sound stupid or even insulting to some people. Without noticing, an internal judging voice makes me consider any funny statement. And I bet most writers face this challenge. Writing comedy is for the brave, for the ones that laugh at life, at oneself, and don’t care much about criticism . They don’t care if people don’t laugh; they are aware not all of them will do. But they still go out there.
    By not laughing at Vermes’ book, does it make me a different person to please? Does that make me a writer with more difficulties to write comedy?

    Lastly, I would like to leave you with Chris O’Dowd’s quote:

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    And you, how do you go about writing funny remarks or comedy?

  • Getting rid of the multi-tasking habits

    Last post When old habits are hard to abandon… I’m looking at you procrastination was eye opening. For some reason, I always believed that being “multi-tasker” was engraved in my system. I even felt proud of it. I could face many tasks at work or while writing without any problems. I even used as one of my qualities (whenever I needed to talk about myself, my strengths,etc… case point: CVs). This happened until many days ago, when for some miracle, I landed on the Coursera course: Learning how to learn: Powerful mental tools to help you master tough subjects. If you ever have time to check this free online course (which you could also pay if you want a certification), then do it. The course suggestion came to my email inbox the same day I wrote about my procrastination/multi-tasker post. And surprise, surprise: It turns out being multi-tasker is not as good I as thought it was. In fact, it’s not good at all.

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    I’m not going to go into specifics in the course. Besides, I still have a couple of lessons that I still need to go through in this course. But so far, it’s been one of the best courses I’ve taken through this platform. Going straight to the point: multi-tasking only burns you out, it stresses you, it makes you slower, it lowers the quality of your work, and tires you faster. But it can be changed. And since I’ve started this new plan to reprogram my brain from its default multi-tasking mode or even close to some sort of attention deficit disorder, my capacity to focus and concentrate has grown exponentially. My writing tasks are back on track again and with good perspectives!

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    There are tons of courses, methodologies, articles online about this topic. Many great sources of information. If you’re looking to get rid of procrastination, improve the quality of time you spent on your important tasks (writing, I’m looking at you), then I suggest you get rid of any multi-tasking habits. I’m looking forward to polishing these skills, and maybe in some weeks time, to be able to say I finally left procrastination in the past.

  • When old habits are hard to abandon… I’m looking at you Procrastination!

    Procrastination has been affecting my life since I can remember. Fortunately, these last couple of years, I’ve been suffering less of it or else I would’ve never achieved a novel’s first draft (it should be treated as an illness!). But I haven’t gone over it yet. I might now put a daily effort on my writer goals, but it’s not enough yet.

    The one to blame, the Internet.

    I could use the computer and disconnect, but I depend heavily on thesaurus.com I could get a physical copy, but certainly working with the website allows me to easily navigate from word to word’s synonyms and definitions in a matter of seconds, without losing the inspiration or the sentence idea that troubles my mind at that point. I’ve tried using printed copies of dictionaries and thesaurus, but they’re not meant to be used on every single minute. And yes, I still use it a lot. Especially, since English is not my first language, many times I just want to make sure I got the correct definition and that the synonym I’m choosing to use is accurate.

    So if thesaurus.com wasn’t such a good tool and as dependent on internet connectivity as it is, I would probably disconnect from Wi-Fi. But if this website helps my writing, what is the real problem?

    My mind is used to multi-tasking. As a result, thoughts, ideas, and hyperactivity flood my brain almost 24/7 (If mental hyperactivity could be translated into physical hyperactivity… I would be the best athlete in the world… but that’s another topic). My mind doesn’t really switch off until I go to bed. And sometimes, I find trouble sleeping trying to unplug my mind from its endless ideas, worries, etc. So while writing, it’s normal for me to get distracted by other websites; afraid (maybe an excuse word) that I will forget later what I wanted to buy in Ebay, that I will miss what’s going on Facebook, and that there are still tips, blogs, and websites I should be looking at for my next trip (in 2 weeks – Tripadvisor, I’m looking at you!),  I open the browser and proceed to search, look, and verify other issues while in the middle of writing.

    The result: guilt invading me at around 10:00 pm when my eyes are starting to feel the burden of the day and I have to choose between:

    • Giving up and going to bed
    • Continue the writing until almost midnight or until my eyes are hyper red. The direct consequence: I cannot invest any more reading time in bed if I want to give my eyes a proper resting (after all, I spend the whole day in front of the computer)

    Maybe I’m too anxious for vacations these days, and I cannot move forward without taking out of my mind all the issues that should be arranged or known before traveling. Maybe after my holidays, my mind will be clear enough to continue working. But who am I kidding? There will always be a next trip, a next activity, or a next excuse. If I’m going to take the writing career for good, then I’d better eliminate the word Procrastination from my vocabulary. Any advice?

     

     

  • Weirdness: Embracing it…

    I always describe myself as “weird”. People around me hear “bicho raro” an expression in Spanish that would mean something like “weird bug.” Some friends are fast to point out that I’m not weird but “unique”. I appreciate their good intetions, but I actually don’t feel bad about being weird. I love being weird. I embrace my weirdness.

    So what do I mean by being weird? I thought it would be to check up the exact definition of the word:

    http://dictionary.reference.com/browse/weird  says: involving or suggesting the supernatural; unearthly or uncanny. fantastic; bizarre.

    http://www.thefreedictionary.com/weird says: Strikingly odd or unusual, especially in an unsettling way; strange. Suggestive of the supernatural.

    But I like the definition of the Merriam-Webster: http://www.merriam-webster.com/dictionary/weird  :

    1. of, relating to, or caused by witchcraft or the supernatural :  magical

    2. 2:  of strange or extraordinary character:  odd, fantastic

    And I’m almost sure the latter is the best reputable source as well.

    When reading the first two definitions, one would see why people react to the word “weird” as a bad adjective. This word for them describes something  not very nice – an “unsettling” word. The expression “weirdo” is a commonly expression used to tag people in a despicable way. However, I insist on relying on the Merriam-Webster definition: “supernatural, extraordinary, fantastic, unusual… etc.” In this interpretation, I love the word; it describes how my usual perspective towards life is.

    I always like to believe I don’t fit social standards as normally other people do. I love going against the trends and against the expected behaviors. Even the way I dress, reflects in some way, who  I am as a person. And if people expect you to celebrate a holiday, I do exactly the opposite. But for me this weirdness is not about being stubborn or trying to make a point, it’s only about behaving according to my feelings and without regard to social expectations. For me being weird is nice. It’s about expressing myself in the most extraordinary fashion, living my life defying any social foolish conceptions. It would be nice for a change people wouldn’t chastise or try to fix weird people.

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  • Knowing how NOT to write doesn’t mean knowing how to do it

    Although, I know a lot of what not to do when writing fiction, it doesn’t necessarily mean I know how to do it. As odd as it sounds, it happens.

    Realization came on me these days. I don’t know if this is a normal stage writers arrive to as they spend more time writing, but it’s a hard to accept that the path may be longer that expected. It falls in the area of “the more you know the less you understand…” But how can this be possible? Let me explain it with examples and detail:

    So far, I’ve learned these rules for good fiction writing: (mostly grammar and style rules)

    • Avoid using the “be” verb, try using stronger verbs.
    • Avoid using adverbs or at least decrease their usage as much as possible.
    • Avoid using redundant expressions: “the fact that”, “he is a person who”, etc.
    • Show don’t tell. A hard one to understand but finally sinking into my neurons.
    • Preferred using the simple tag “said” rather than “opined, implored, wailed, etc”. There are times when you don’t even need the tag, you could just use the action performed by the character.
    • Avoid when possible using passive voice, give more strength by using active voice.
    • Vary the length of sentences in a paragraph. Combine short ones with long ones.
    • Vary the type of sentences in a paragraph. Use variety and mix different forms of sentences.
    • Don’t mix POVs in a single scene. It’s confusing.
    • Find the voice of each character. Characters should be sound different from the other. They should be dimensional, not flat.
    • And so many others rules to follow…

    Keep Calm and Follow the rules

    I’ve been reading many books on how to write, how to improve writing, how to create compelled characters, good plots, how to nail punctuation, etc. And in spite of this information, I find my writing is not yet where I would like it to be. My paragraphs don’t read as beautifully as Harper Lee’s or Alice Munro’s. They’re structured well, but I still find them simple, and far from being mesmerizing. I realize this is perhaps due to my scarce experience or the fact that I still need to improve my vocabulary. I realize the above rules are not enough to know how to write.

    I understand these are the natural consequences of trying to find your own voice and that the only solution rests in getting more experience, reading more, and writing more. It gets harder, but that is the point in life, isn’t it? It would be boring if everything would be easy as pie.

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    And you, have you ever reached this realization?

     

  • It’s as simple as that: good writing matters a big deal

    It’s as simple as that: good writing matters a big deal. As I dig more into this writing career, I realize how much I still need to learn.

    I’ve always been for thrillers and mysteries. I’ve always loved fast-paced books with lots of action: books that I could see in my mind as the next big Hollywood blockbusters. But lately, I’ve realized that there’s also another side of reading. A reading where words enchant you and make you want more of this world of beautifully written words. Now, I believe that good storytelling doesn’t exist without good writing.

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    I must confess I haven’t read much of Literature Nobel prize winners before. Except from “One Hundred years of Solitude” from Gabriel Garcia Marquez (which I didn’t like), I wasn’t drawn into these awarded authors. It was like Oscar movies: not all Oscar movies winners are good. In fact, some Oscar winners are actually weird and not in my taste of “awesome films.” But this time I bought Alice Munro’s: “Lives of girls and women”, a Nobel prize winner, and I can’t believe I did it by mistake.

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    The purchase was done when I was coming back from NY’s Writer’s Digest conference. I’ve written down all those titles that during the conference attendees were advised to read. One of the panelists highly recommended to read Alice Hoffman. In the airport, when I came across Alice Munro and read the label “Nobel Prize winner,” I really thought I got the right “Alice.”

    I realized of my mistake when I came home. But as a bookworm, I’m never sad for having a new book to read. So I give it a go to this book. And I loved it. Munro’s writing is completely beautiful. The way she starts describing everything and how characters develop in this beautiful written prose was such a relief and rest from the fast paced books I’d been reading before. It made me love writing and reading even more. It made me realize how much, still, I have to learn from writing in English.

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    This blog post was meant to be a review of Alice Munro’s “Lives of girls and women” but as I came across the blog, I realized I mostly wanted to express the lesson learned while reading this book, and how it has influenced my writing learning process. I’ve also realized how important is for writers to read out of their genre, how it makes you grow professionally. There’s still a wonderful world of written words out there.

    And you, have you come across with these beautifully unexpected books that made you want to grow even more as writers?

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  • That strange feeling at the end of they year

    As the holidays are about to arrive and people start getting ready for the long holiday vacations, 2016 also strikes in. And of course, new year’s resolutions can be a common topic around this time. Many people here at my work are counting the days for the holidays to start. I’m not. Although, a rest is always well received, I still don’t want 2015 to be over.  I feel like time is going too fast. I still want to make the most of what is left of 2015, even if it’s only a couple of days.

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    I know that age and time are just numbers, but in certain ways, they always tick and remind me of my goals in life. This year was intensive, and I did many things during it. I really wanted to have my novel done in 2015. But I’m not there, and I will probably work on it for a couple of months more. In some way, I haven’t met this year’s resolutions and I can’t avoid feeling a little bit sad about this. Moreover, I’m finding it difficult to go back to my book. As you know from previous posts, I stopped writing for more than a month, and now, I find it hard to get back into the writing routine again. If it were me, I would try to finish the novel in these days. But I’m aware it’s not possible.

    Do you usually have this feeling when it’s nearing the end of the year?

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  • The new writing perspective

    It’s been almost two months since I didn’t work on my thriller novel. Some fellow blog readers may know that I’ve been working on it quite a while, since last year most specifically. After I finished it, I gave it to a couple of beta readers, and then passed it to my editor. I got the book ready. I pitched it at Writer’s Digest conference in New York and I got the attention of seven literary agents. I sent the requested material to them and got four rejection replies already. The three remaining never replied. But the harsh truth is the book wasn’t ready. It wasn’t yet.

    This is my first book, my first attempt, and you can tell I’ve been impulsive with it. I’ve fallen into the most frequent mistake most amateur writers do. I knew how important it was to make sure the manuscript was ready before pitching it. And here I was making the same mistake, trying to do it as fast as possible, not letting the book rest for a while before doing the last rounds of edition. Hurrying up too much.

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    When I pitched it, the book was quite acceptable from the writing point of view. I made sure the words were accurate, I tried not to tell but show, I triple-verified all grammar rules, and I hired an external editor. I also made sure the plot moved fast, had twists everywhere, and that the “theme” was cohesive and there were no plot holes. What went wrong?

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    In October, I managed to contact a very good beta reader on Goodreads. He gave me great feedback from the technical point of view (the book is about hackers) but also gave me great advice from the literary point of view. My weakest point was clear as water: Character development. They felt flat. The main characters were completely unidimensional. And I started seeing the flaws I haven’t seen before. I realized the book was not ready. I wasn’t satisfied with it, I knew I could do it a million times better. I had pitched too soon. (And I’m still crossing my fingers that the reason the three literary agents never replied was because my manuscript got lost in their email folders. This way, I can still have them in my pitching list for when the book is finally ready.)

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    I started to review my manuscript yesterday, from scratch, rewriting practically everything. As I did It, I understood also what was missing in my writing. My voice. Although, the story is action packed, it’s actually dull. There’s no magic in the words. There’s no humour, no irony. It’s not witty. I can do this better. I can make more complex characters, ones that make people surprise, gasp, hate, love, laugh. The book was never ready.

    November was a month of no writing. Since most of us writers have a full time job to maintain, I was involved in a work project that left me zero time to write. I’d never believed this time away from writing was actually what I needed, that No writing for some time would be more productive than a full month of continuous writing. I see the point now. Let the book rest.

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    So I’m re writing the whole manuscript. But this time the story will come alive like a true story should do.

    I’m thankful I realized this before precipitating myself into insisting with more agents, or even considering self-publishing. Now I know the true. The book will be ready when it’s ready.

    Did you have any similar experiences? If you’re a writer how much can you relate to this? Any advice you would like to give me?

     

     

     

  • I don’t give up

    And I’m back. I’ve missed my blog so much. All this time I haven’t been able to write it because of an extra job. It finished and I’m ready to continue. I must confess it was hard, hard to stay ok these weeks because I was at the point of exhaustion and burnout. And many things in my life were left in a standby.

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    When you put so much hope into something, into a new career chance, it’s very hard to accept that at the end you didn’t get your chance. But life is like this.  And I’m so grateful I had this opportunity because I’ve learnt I’m stronger that I think. I’ve learnt I can achieve everything, even if it doesn’t turn out like I always want. I’ve learnt that I can be as strong as steel and hardworking as million people together, and the most important thing I’ve learnt is that “I don’t give up”. I’m willing to accept those words are no longer part of my vocabulary.

    I’ve learnt life is better when you learn things the hard way. It makes you tougher and ready for the next challenges. But mostly, I’ve learnt that this blog should never be left aside. I’m thankful for all the people I shared this blog with. I’m thankful that I have a way to connect to them. I’m thankful that my words are read.

  • Book review: Eats, Shoots & Leaves

    As I closed the last page of my book, I softly muttered “interesting” without even noticing.  My mother happened to be near me at that moment. She asked me “What did you just read?” I waved the book cover to her and answered “A book about punctuation.” She winced.

    I would have probably winced too if I’d been my mother. She knows I’m a book worm, but sometimes  my eccentricities trouble her a bit.  Reading a complete book about punctuation just because you want to is kind of unheard off, no regular “reading for pleasure” material here. But I do read a couple of books like these ones once in a while. Mostly because, as a writer, I need to improve my craft. I need to know where to put the period.

    “Eats, Shoots & Leaves” is a clever and informational book where not only grammar rules are exposed, but also a wave of useful information strikes in. It’s not only about commas, semicolons, periods, dashes, etc., but also about their history, how they arrived to our world, what our crazy predecessors thought of them, how some tried to abolish their existence, and how punctuation marks strived successfully. I got attached to each punctuation mark as I would’ve gotten attached to a fiction character. Embarrassingly, I’m that quirky when it comes to books.

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    Moreover, Lynne Truss leads us to a deeper level, to the analysis of the evolution of punctuation marks. We learn not only their history, but also how our modern times, influenced by technology and constant mobile messaging, are changing the world view towards punctuation. With good evidence, Truss foresees the punctuation world future, with upcoming years of punctuation invasion. We won’t get ridding of them any soon. Reading this book gives us an insightful perspective.  We’re not only being told about punctuation rules; we’re also acquiring enough criteria to understand their evolution.

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    But the aside note is that the book is clever and funny – British funny, humor that always makes me laugh for a reason. I enjoyed the book as much as I would have enjoyed a fiction novel.

    Was I the only lonely boring person reading books about punctuation? Nop, I lent the book to a work colleague. The guy loved it. He read it faster than me, just in a couple of days, again my excuse being I’m a slow reader. Would I recommend this book to everybody? Definitely.  Yes.

    Have you ever read any type of grammar/punctuation of what it could be thought as “boring” and find yourself enjoying it more than expected?