Tag: authors

  • Reading with writer’s eyes…

    Being a writer is not easy at all, being a reader who writes neither it is. Reading and Writing are my biggest passions. But as I try to merge them into one world, I realize the challenge increases.

    In order to write, you have to read. This is the most common advice you’ll receive from writers, books and courses about writing. And there is no bigger truth. Once you decide that writing is you want to do for the rest of your life, reading will come attached as a twin sister. I don’t believe in writers who don’t read. I just can’t. It won’t matter how many a good ideas you have, if you don’t know how the world of books work, and the only way to know is by getting up close to what’s out there.

    But one must read all types of books out there:

    Reading classics – They are classics for many reasons, but one of the main reasons is that they usually show great command of the language. They display high-quality narrative that has been awarded and well appraised by so many. What works in these books? What made them classics? You need to find out by for yourself.

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    Reading Best Sellers – And it includes the highly criticized dystopian YA. But why are they so popular? Why are their writers the ones that can actually make a living of this? I usually hear many people chastising these books. Finding them with “my favorite books” tag in intellectual circles of writers would be almost impossible …. But guess what? They do sell! They have “the formula.” And yes, writing-wise they may not be the best example, but they can certainly grab readers.

    Now, you may say: “Well, it depends on the reader.” And usually not all teenagers are the most loyal parameter of quality reading, but they are a wide popular profitable target market. Despite these books might be cheesy and corny, we realize many adults do also enjoy them. The key, I believe, is to find a balance between what is good writing and what sells. Let’s face it, we all know that deep in our hearts, we would really love to make money of our writing. So reading this literature we must (my Yoda dysfunctional personality)

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    Reading all genres – I’ve heard tons of advice saying that you must read in your genre. True! But it doesn’t end there. I’ve learned to read in all sorts of genres. And I believe that it’s not fair to say you aren’t used to an X genre because you don’t read in it. All genres are writing; all of them teach us something. Romance teaches us how to create romantic tension between characters. Thrillers teach us how to insert adventure and movement in your plot. Mysteries teach us how to grab readers until the end of the book. Sci-fi teaches us through setting description how to create fantasy worlds. Memoirs teach us how not to lose the essence and spirit of your book… and so on…. All these elements usually coexist in a book.

    People read not only because the plot was so exciting that they couldn’t let the book go, but also because they cared about the protagonists; they found allies or inspiration in them. I’ve read a couple of action-packed thrillers that got me bored easily. I reached a point where I was just so bored about the extensive description of a fight scene; a slow motion punch described in pages. It reminded me of those movies where half of the movie is shootings and guns and no interesting plot. It also happens with books.

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    If you’re like me, with preference for Thrillers for example, then you have at least to care about one of your characters. We want to know that the CIA spy of a book has a family with a sick child, that if he doesn’t do the job, his son will die. We want that CIA spy that when he’s about to die, we will keep reading and pray that he doesn’t. If he’s just a random handsome spy with great muscles, involved in a cat and mouse chase during the plot, it gets boring…Thriller writers need to read romance and memoirs too!

    As a writer, I try to read with a different eye. I try to see all elements in a book, how dialogue flows, how settings and actions are described, how writers show and don’t tell. I assess why the plot gets exciting, how chapters end, and what makes me go to the next chapter. I evaluate those setting descriptions that are just too long for me to care. I write down when I find words and expressions that work so well that I could use them in a further work (one of the advantages of kindle reading, that you can highlight words without actually damaging a book.)

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    This is a new way of reading, different from what I was used to, but satisfying nonetheless. It’s not only about finding refuge in a book while resting on a reading corner, but also investing time in my long-time dreamed goals.

    If you’re a writer, do you find yourself with this different perspective of reading?

  • How being a non-native English speaker can actually help me when writing in English…

    As you may have noticed (Although, I hope it wasn’t that obvious) English is not my native language. I learned it at a Language institute in my home country. Then, I had the opportunity to make post-graduate studies in the UK. But although I lived in Glasgow, Scotland for one year, I didn’t have enough time to master the language, especially considering the Scottish accent. And no, I don’t speak English with a Scottish accent; even imitating it can be hard enough 🙂 .

    Luckily, I have the opportunity to practice the language every single day. My job is in English, and I’ve gotten used to it as my research, reading, and writing tool. But when I first started writing fiction in English, I thought it was only one of my crazy, impulsive episodes. I gave it a trial, just to see how it went, and I was surprised to find that I felt comfortable enough to start this blog in English. I believe that some of this comfort came from the fact that I read more books in English than in Spanish – my native language. Without noticing it, my list of favorite authors had been filled by English speaking authors.

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    So when I realized that writing fiction in English was not impossible, I knew that if I wanted to pull this off well, I had to work very hard on it. I had to be sure that not only what I wrote was correctly from the grammar point of view, but also that I didn’t sound like a five year-old. Deep work on building a better vocabulary began. And books about style, writing, grammar and others started to flood my bookshelves and e-reader. But believe it or not, I found I had the following advantages for being a non-native English speaker:

    • I’m not familiar with jargon and idioms (they don’t teach you that when you learn a language.) As a result, I don’t misuse or rely on them when writing in a formal approach.
    • The way I learned English is by hard grammar (the methodology they used at the language institute). Therefore, I haven’t picked up the wrong way from my upbringing, daily life, family, friends, etc.
    • Since my native language is Spanish, I find myself surprised by the many similar words between both languages, allowing me to have an extra set of vocabulary from words that have a Latin origin. The following list shows what I mean. The words on the right are very common for me since they’re widely used in Spanish. This doesn’t mean that when writing in English I use the ones on the right more, but I didn’t have to make an extra effort in order to learn them.
    Commonly used word My little help as Spanish speaker
    Increase Augment
    Strengthen Invigorate
    Refresh Rejuvenate
    Hoard Agglomerate
    Verify Corroborate
    Check up Scrutinize
    Hang onto Adhere
    Spill over, flood, swamp Inundate
    Run through, exhaust Dissipate
    Shorten Condense
    Temper Alleviate
    Stir up Infuriate
    Make up for Rectify
    Whip up Instigate
    Prompt Stimulate

    This is just a random list; there are many other words out there that could be added.

    So for anybody who’s learning the language and struggling tons with it, try to see the good side 😉 Nothing is impossible, it’s just a matter of perspective, how you face and tackle things.

    And you, do you think learning a language from scratch could have advantages over its native speakers?

  • Reviewing Books is not as nice as you think

    Have you ever been asked to review/beta read or provide any kind of feedback for a manuscript or self published book?

    It’s harsh. Because not every book is for everybody and not everybody is for every book. (I’ve googled this phrase ’cause I think I might have heard it before, but I found nothing. So if you happen to know who said that, please let me know so I can give the proper credits and quotes where it corresponds.) And what does this means? It means that it doesn’t matter how much you love books or how many books you’ve read in your entire life, some books may not be just for you. It all depends on personal preferences.

    Through my life, I’ve read in most genres: thrillers, horror, mysteries, romance, young adult, political essays, biographies, memoirs, sci-fi, fantasy, etc., and I’m almost sure that at least I have one favorite in each genre. As some say, I read in a wide spectrum and it’s hard to define a favorite genre. It’s mostly how I connect with the book. For some readers, it’s about the characters and how they connect with them. I’m more a plot-driven person. I like things to happen, feel a flow in the narrative.

    But sometimes I have issues with “classic” English books.  Since most of them were written too long ago, I struggle to follow them; the writing style too different from I’m used to. And there’s the issue of my first language too, meaning that the compulsory reading I had in my school years was “way” different from traditional English literature.

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    Image source: vqronline.org

    So in this task of reading “the English classics” I found myself disappointed most of the time. I have a knack for spying the reviews before I start reading them. And since classics have a good reputation, you usually find good reviews about them. But when I read them, I find myself unable to connect with the reviews. It seems like I’ve been reading a different book. I get high expectations from the “best classics of all ages” to only find myself struggling to finish them.

    But the worst experience sometimes happens when you’re asked to review a book for somebody else. It could be a review for an already self-published book or a beta reading of a manuscript. It doesn’t matter how you advertise in beta read forums about enjoying thrillers and mysteries. because sometimes the sort of thriller you get is not really your cup-of-tea.

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    How do you tell these people? If certainly makes it harder when the book has already been published… making bad reviews in platforms such as Goodreads or Amazon could actually damage the selling chances of the book. It’s harsh.

    I wonder if there’s a way to explain your preferences in a reviewer profile that is not based on genre preference. I guess it’s part of the business. A risk you have to take as a reviewer.  A training you have to embrace to improve your tactics skills in dealing with not liked books.

    And you, do you think there is a good way to write a bad review for a self published book?

    www cprw com

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  • The good experiences that come with writers conferences…

    Well, I’m back from one of the most thrilling experiences in my life. For those who don’t know, I had the opportunity to attend this year’s Writers Digest Conference in NYC. It was certainly an opportunity you don’t get to live very often and I’m glad I was able to take a part in it.

    What did I learn? 

    I think all can be summarized to the following points:

    • There’s still too much to learn – And it comes with time and experience. I haven’t read all the “must read” classic books or the “must read best sellers” yet, but I was relieved to find that at least I’ve read the most important/famous ones. A good fact to know is that not only it’s about reading the good old classics but also reading the latest best sellers; see what formula they’re using to be highly commercial in recent times. Old time formulas may not be suitable for these days anymore, i.e. you can’t write as Shakespeare anymore…
    • I seem to be not that lost – Yeah… this was kind of gratifying actually, because even though I was there to learn new things, it was good to know that I’ve been doing my share of work and that I’m not that lost in this world of books and publishing industry. Basics such as don’t put that your “family and mom loved your manuscript” or that “you’re sure you have the next best seller” in your query letter were already good known facts to me….It felt good to know that I was not swimming in the amateur waters anymore…

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    • I still have a long way – I’ve just finished my first novel and I’m one hundred per cent sure that I can do it better. I feel confident that I can plot and write better stories. I know the writing process will be easier each time (hopefully the revision process as well, which is the most terrifying one for me) Nevertheless, I feel pretty confident about my first project. There were tons of conference attendees who were already in their fourth or fifth book and still learning a lot…
    • I learned I can totally rock Pitch Slams – I think this was the main reason why I thought the conference was awesome. From the seven agents I pitched, I got requests from the seven. It was unbelievable. I managed to control my nervousness, forget that English is not my native language, and speak with confidence. I loved the process.
    • I can manage rejection much better now – I’ve already sent my material to the seven agents yesterday. One has already replied this morning saying that “it may not be for him” (I wonder why he seemed so interested in the pitch slam. Was it because he thought it well and decided it was not for him? we’ll never know…) But even if I get these sort of replies from the other six agents, it will only be the encouragement to keep growing stronger, to keep fighting. I made a good decent start, and the sky is the limit. I’ll continue with much force. I’ll do more research. I’ll read more books. I’ll write more. I’ll try harder. I don’t plan to give up, not now when I feel so full of energy 🙂

    I read a couple of blog posts I wrote more than a year ago. In these posts I was still looking for my path. I didn’t know where I stood at that point, trying to find out my true passions, looking for courage to do what I really loved. I was trying to tell the people around me that maybe I was meant to do something different from my career; ashamed to share my longtime dreams. I felt unsure of any talents I had. Now, I feel on the right path. Even though it’ll take a while to reach my goals, I know for sure, that I’m on the right track this time. And I’m very thankful to God for that.

  • Synopses may be Evil if you don’t learn to tame them!

    I was so focused about writing my first book and then writing my query letter, that I never paid much attention to writing a synopsis. This requirement may appear in some agent’s submission guidelines, but not in all, other agents prefer to see a sample of your writing: first 10 pages, first chapter, etc.

    I’m pretty sure I love agents who don’t ask for a synopsis. I never thought that synopses would be so hard to do. When I realized I had no way to escape them, I did some research and started writing my first synopsis. After trying to be as general as possible and outlining the main events of my novel, I finished my extremely summarized synopsis with seven pages long.

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    I wasn’t sure about synopses’ regular lengths. I read somewhere that it varied from agent to agent. So I researched the agents on my targeted list and found out they asked for 1-2 pages synopsis… WHAT???? You can’t do that! was my first thought. In the first draft of seven pages, the novel was as summarized as you could imagine. After hyperventilating and recovering from my almost panic attack, I decided to revise the seven pages with the most critical eye ever. I managed to reduce it to the incredible number of five pages, not close yet.

    At this point, I was about to discard the agents that asked for synopses. But I would let go many of the good ones. I had to do it. I had to be concise, straight to the point, and only mention the most important points in the story. I revised again and obtained a perfect 3.5 pages synopsis…sigh… I realized I preferred writing 100 query letters, 100 novels, than insisting on my synopsis. Why? Why? I was on the verge of knocking my head multiple times against my keyboard… but decided to try one more time, and I got 2.5 pages. The synopsis was extremely summarized.

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    Where else could I cut off more information? I slept on it. The next day I revised for the last time with my short-sentence police eyes. I think I never made my brain work that much. I revised word by word. I aimed to make 7 word sentences instead of 10 word sentences, 5 sentence paragraphs into 4 sentences. There was a point when I wondered if agents would have any problems with a massive one paragraph in the synopsis as a result of merging my paragraphs to save space… I’m so happy that under pressure, I don’t surrender to this madness 🙂

    After some hours, I finally did it. All sentences made an efficient use of the space and coherence. That was certainly a very rewarding achievement. When I read the finished product, it was all there, in 2 pages long, clearly identified and narrated. Why on earth would I want to add more? And I understood the concept of conciseness. There’s nothing better than short/straight and clear sentences. I’m so glad I did this one 🙂

    And you, did you ever find yourself in a similar situation? How important it to write concisely?

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  • Query letters and why they can drive you insane

    Since I started writing, I’ve been trying to be as proactive as possible and be involved with everything writing/editing/publishing existing in the online world. Unfortunately, I don’t have many chances to that in the real physical world, here, in my city. These are a couple of reasons:

    1. There are no writing groups/courses/workshops in English.

    2. The ones that exist in Spanish are not my cup of tea. Not many writers live in my location because people, unfortunately, are not much into reading (which is really sad!) But there are a couple of events if you dig really well and switch on your mafia sensors. However, it’s mostly about poetry or literary fiction. I’m not against it, but I prefer mainstream fiction; meaning thrillers, mysteries, horror, crime, espionage; exciting books that are page turners and make you lose your sleep. “Too wordy” is what comes to my mind when I attend to the spanish writing events.

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    Well, to my luck, we’re not limited anymore to our locations in the world. We’re global citizens, meaning I can still write in English and access all the writing training/support online. Online webinars, workshops, writers groups in social media, blogs, etc. are only a few examples. There’s a lot out there to keep you entertained until the end of our times. So whenever, I look for feedback, I do it,  here, in the web.

    So the word “query letter” came almost from the beginning. It was like the defining event that would separate published writers for the non-published ones (talking about traditional publishing here). The test that would define who gets to be somebody in the vast sea of the prole (bear this with me, I’m reading a book where the word “prole” comes out every 2 seconds). But I gave it no importance from the beginning. I first had to hone my craft and write my story. Query letters would come later. Unfortunately, I’ve reached that terrified “later.” And I must be honest, I would prefer to keep writing other novels, and short stories than trying to see if my work can be publishable. But I guess, there’s no point in writing stories to keep them hidden in your desk drawer (well, in the C: drive of my computer, in this case.)

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    Image source: valeriekingbooks.com

    So, time to query I said, and started to read as much as possible about it. I became fond of Query Shark (for those who don’t know, that is Literary Agent Janet Reid destroying writers dreams in her blog that critizices query letters) – Great source of learning by the way. Then, I produced my first query letter (first draft of the first attempt of the first time- oh! let’s faced it, I wrote a terrible first query letter). I posted it on writers support forums to receive the good vibes of others. (Spoiler alert: It isn’t like that, some people are rather straightforward and won’t emanate anything resembling good vibes.)

    But I’m not playing good-vibe fisher, I’m actually tempting masochist waters. I knew I would receive hard critiques and I still did it multiple times, i.e. in several forums. The good part? I also received very good feedback and interest for the story.

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    How overwhelming is this? It’s terribly overwhelming (I love that I can use adverbs, here, in my blog freely.) You get lots of advice, lots of contradicting advice, lots of questions too! (but you can’t explain the whole story in your query letter). Most of it, is very good advice (almost 90%), but there are others you must be able to filter and scan them with critical eyes. After all, support groups are opened for everybody. However, on querying letters, you have to be careful. The concept of querying is very different from one person to another. You have to rely on your instincts. So,what did I end up doing?

    I left my querying critiques resting for 48 hours. Then, I got back to them with highly critical eyes. The objective: to rescue what I thought was important and accurate. I rewrote my query letter again, and then again, and then again. It’s not ready yet; it’s resting for 24 hours more before getting back to it. This works better. You can’t create the perfect query letter on the same day. You need to step away and then get back to it with critical,rested, renewed eyes. Hopefully, I’ll have it ready soon.

    Now on writing the synopsis… that’s for another post.

    What do you usually do when you receive too much feedback? Do you have a method to filter what works and what doesn’t? How can you tell which is good feedback and which is not?

  • Editing services, why you need to love them! and the theory of the Leprechaun that lives in our heads.

    Writers are strange creatures, stranger than you think. And the wannabe ones, like me, are even worst (For example, I just passed some work colleagues in the corridor and forgot to say “hello” why? ’cause I was thinking about some feedback I received from a query letter) They know I’m weird, but I didn’t intend to be impolite… sigh… I guess I must learn to detach from the fiction world and improve my social skills. (now you have a hint of why I have “loner” in the name of my blog)
    But anyway, no more self analysis, and let’s go straight to the objective of this post: why you have to love editing services.

    – Because writers are strange creatures (and back again to the first paragraph). We believe that when we write and we review like a thousand times, there’s no way we’re going to let a typo/grammar mistake slip away. After all, we’ve reviewed like ten times, we read it aloud, we passed the spell checker, we reviewed it again, and we read it again. And we think, the sentence is perfect. But wrong, the editor returns it with red everywhere and a typo that makes you just want to cringe under the bed. And you believe, Oh my god, this is embarrassing. I’m supposed to know the basics of writing. The editor must think I’m five years old.

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    But, yes, the dreaded “but” This is completely normal. I’ve learned to embrace Editing. We really need that set of extra eyes, you know why? because there’s a leprechaun that inhabits our brains and tells us our writing is perfect. (see? I told you, we’re strange creatures). That leprechaun is the result of writing our own world, our story, our characters and revising them continuously. We know our story too much. (more…)

  • I’m doing because I’m a chicken

    Well, this time I’ve been lost like for ages, more than 2 or 3 weeks without blogging. Never have I missed blogging so much. But I have good reasons, but not new reasons (for those who’ve already read my posts), it was because of my manuscript (final revision, this time is the final one). It was taking me too much time and I want it to be over for once. The person who’s editing it is already working on the second part. So that means that yes, in a couple more of days, I will have to go back to it again to go through the revisions done by the editor. But I’m not worried, I’ve managed to review the changes of the first part in just one day, so the second part is not going to take me much (hope so). Well, enough talking about editing. I plan to do another post for that (some new lessons learned as always). I’m here to talk about exciting news. I’m attending Writer’s Digest Conference in NY this July 31st. Yayyyy!!!  (insert dancing icons here) download (5) No, I don’t live in the US. No, I don’t have loads of money to go everywhere I please. I just thought that it would be a good Life investment and of course good vacations. And here are some of the plans/goals/realizations I have in mind for this trip: – I’m not doing it because I consider myself a great writer. I’m doing it because I’m a new aspiring writer and this step will allow me to compromise myself with this career. No, It won’t be a hobby anymore. – I’m doing it because of the talks and workshops. I know this conference is also about getting to know agents, publishers, etc. But sometimes, I believe that maybe I’m not ready for that yet. So I don’t have great expectations on that side. I’m doing it because of the two full days of talks, sessions, workshops, etc. I’m eager to learn as much as possible and absorb everything sponge-like. www wisegeek com

    Image source: www.wisegeek.com

    – I’m doing because I’m a chicken. Yes, you read that, and not because I consider myself an animal (or I believe the chicken is my spirit animal), but because I’m a coward for these sort of public events. You see, I’m not the most extrovert person you’ve ever known. I’m shy and I feel akward at these gatherings. And there’s a session for pitching agents in this conference where you’re supposed to dazzle them with the magnificent plot of your book. Believe me, I actually considered skipping this part of the conference (which had an extra fee) because I knew I was going to be a complete disaster. I imagined myself trembling, sweating, stuttering, and even running away. And I’m also worried about my English speaking skills, which because of nervousness, seem to flee (that’s why I prefer to write ;)) I get nervous, stumble among words, and forget parts of the language. But I refuse to be a chicken forever, so this is going to be a challenge. I know I have to do it, I have to be brave!

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  • There seems to be light in all futures…

    I believe all writers are filled with doubts; from am I really good for this? will I ever publish something? will people like what I wrote? should I insist on this path? Do I have what it takes to be a good writer? etc. I think almost all writers have gone through this stage at some point in their lifes, even the accomplished ones, if not, then I’d love to know of a writer who never doubted about his/her skills, and how did he/she manage to keep confidence at all times…

    However, there seems to be light in all futures. I believe that light is for the ones who never surrender and work hard to achieve their dreams. More than a year ago, I started working on this lifetime goal of being a writer. I’m still working on the editing on my first novel; but last week, I felt the impulse to put it aside for some days and let myself get involve with another project, a short story. I got this idea of a shocking ending for a story, but haven’t thought of a plot or characters yet. I was eager to see how much I had improved in my writing skills. I wanted to see if my first draft of anything else would be much better than the first draft of my novel; if I had improved in creating a plot and characters, in describing the settings, if I finally understood showing vs. telling, if the dialogue would come easier now after the experience of my first novel. So I sat and wrote an almost 3300 words short story.

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    I dug into the Goodreads beta reading groups to see if somebody wanted to give me feedback. In the end, three people revised my story and I got really good, amazing, unbelievable feedback! It felt so good. Never ever, did I expect to receive such good feedback on my writing. I finished editing it this morning and used NaturalReader (a software that I really recommend for having your writing read to you by the computer) and I was surprised. My writing had improved a lot and the pacing and everything else was quite decent.

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    I learned that writing is about practice and hard work. But also, I understood, that any goal in life is achievable; that it is only about perseverance and faith. I had reached a point in my novel, where I seriously doubted my writing skills. But now, I feel more empowered and more encouraged to continue writing.

    And you, have you ever been in a situation where you’d almost given up but found encouragement when you less expected?

  • Beta Readers and the nerves of getting people to read your manuscript…

    Well, currently I have 4 people reading my manuscript. Two of them are very good friends, one is my potential editor (we haven´t agreed on that yet), and another is an official Swap Beta Reader Partner (I don´t know if there is a term for that, just correct me if there is a better way say it.)

    My SBRP (Swap Beta Reader Partner) was actually fun to find. I dig up into the Beta Readers Group from Goodreads and I found some people asking for beta readers. Of course, I knew that the best way to find a Beta Reader was by offering to read first for somebody else, so that maybe later, I could seek for the same favour in return. I was struggling to find an interesting manuscript blurb that I would love to read, one that would take me away from the books I´m reading now (Yes, I haven´t learned my lesson, I´m still reading several books at once, you can check out my previous post, to know what I mean). Anyway, a story blurb called my attention, it was a memoir manuscript. Memoirs are usually not my first pick when I go to bookstores, unless it comes from somebody famous (no celebrity type, but other interesting people). I must admit that I actually enjoyed all the memoirs I´ve ever read, so I thought it would be a good option to beta read for this author. I was thrilled to find out that she was willing to swap manuscripts, even better! that way I had somebody else guaranteed to read my manuscript in return.

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    I´m thrilled about my SBRP. I´ve already started reading her manuscript, and although we set a time frame of 10 days, I´m about to reach half of her manuscript in less than 2 days. It´s really good and I´m looking forward to see it published. And this leaves me in an insecure state, I can´t stop worrying about my manuscript. I mean, I know it´s my first novel ever and that I still have a long path until I learn how to do it properly, but still I can´t avoid thinking: “OMG, what happens if she is hating my manuscript or she´s getting so bored that she can´t see a way to finish it?” I know, insecurities on first time writers are normal. I know many of us fear sharing our work. But I guess, I just have to deal with it and take the feedback as best as I can.

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    I don´t fear too much the feedback from my friends (that´s why it´s necessary to get other beta readers besides your friends), because even though I asked them to be as honest as possible, I know they will try to do it in a way that doesn’t disencourage me.

    How about you? For the people who write out there, did you face those fears when you had beta readers reading your work? I would love to hear your experience with beta readers.