Being a writer is not easy at all, being a reader who writes neither it is. Reading and Writing are my biggest passions. But as I try to merge them into one world, I realize the challenge increases.
In order to write, you have to read. This is the most common advice youβll receive from writers, books and courses about writing. And there is no bigger truth. Once you decide that writing is you want to do for the rest of your life, reading will come attached as a twin sister. I donβt believe in writers who donβt read. I just canβt. It wonβt matter how many a good ideas you have, if you donβt know how the world of books work, and the only way to know is by getting up close to whatβs out there.
But one must read all types of books out there:
Reading classics β They are classics for many reasons, but one of the main reasons is that they usually show great command of the language. They display high-quality narrative that has been awarded and well appraised by so many. What works in these books? What made them classics? You need to find out by for yourself.
Reading Best Sellers – And it includes the highly criticized dystopian YA. But why are they so popular? Why are their writers the ones that can actually make a living of this? I usually hear many people chastising these books. Finding them with βmy favorite booksβ tag in intellectual circles of writers would be almost impossible β¦. But guess what? They do sell! They have βthe formula.β And yes, writing-wise they may not be the best example, but they can certainly grab readers.
Now, you may say: βWell, it depends on the reader.β And usually not all teenagers are the most loyal parameter of quality reading, but they are a wide popular profitable target market. Despite these books might be cheesy and corny, we realize many adults do also enjoy them. The key, I believe, is to find a balance between what is good writing and what sells. Letβs face it, we all know that deep in our hearts, we would really love to make money of our writing. So reading this literature we must (my Yoda dysfunctional personality)
Reading all genres β Iβve heard tons of advice saying that you must read in your genre. True! But it doesnβt end there. Iβve learned to read in all sorts of genres. And I believe that itβs not fair to say you arenβt used to an X genre because you donβt read in it. All genres are writing; all of them teach us something. Romance teaches us how to create romantic tension between characters. Thrillers teach us how to insert adventure and movement in your plot. Mysteries teach us how to grab readers until the end of the book. Sci-fi teaches us through setting description how to create fantasy worlds. Memoirs teach us how not to lose the essence and spirit of your bookβ¦ and so onβ¦. All these elements usually coexist in a book.
People read not only because the plot was so exciting that they couldnβt let the book go, but also because they cared about the protagonists; they found allies or inspiration in them. Iβve read a couple of action-packed thrillers that got me bored easily. I reached a point where I was just so bored about the extensive description of a fight scene; a slow motion punch described in pages. It reminded me of those movies where half of the movie is shootings and guns and no interesting plot. It also happens with books.
If youβre like me, with preference for Thrillers for example, then you have at least to care about one of your characters. We want to know that the CIA spy of a book has a family with a sick child, that if he doesnβt do the job, his son will die. We want that CIA spy that when heβs about to die, we will keep reading and pray that he doesnβt. If heβs just a random handsome spy with great muscles, involved in a cat and mouse chase during the plot, it gets boringβ¦Thriller writers need to read romance and memoirs too!
As a writer, I try to read with a different eye. I try to see all elements in a book, how dialogue flows, how settings and actions are described, how writers show and donβt tell. I assess why the plot gets exciting, how chapters end, and what makes me go to the next chapter. I evaluate those setting descriptions that are just too long for me to care. I write down when I find words and expressions that work so well that I could use them in a further work (one of the advantages of kindle reading, that you can highlight words without actually damaging a book.)
This is a new way of reading, different from what I was used to, but satisfying nonetheless. Itβs not only about finding refuge in a book while resting on a reading corner, but also investing time in my long-time dreamed goals.
If youβre a writer, do you find yourself with this different perspective of reading?




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